Sunday, June 18, 2006
However, Lightning doesn't have much of a choice when he lands in the sleepy burg of Radiator Springs. He is forced to repair the road he demolished and during his labor he learns to slow down long enough to make friends with the other cars.
I noted in my entry on Over The Hedge that inspiration comes from the strangest of places. Here is yet another "kids movie" delivering a high-octane message for our overindulgent culture. With Over the Hedge, the theme was excess and consumerism. With Cars, the lesson of the day is time and the breakneck speed of our society that causes us to become less caring and considerate. Both movies are a much needed commentary on how the powers of greed and speed are eroding community.
There's much to commend in this film. I am always impressed by the wizards of PIXAR. Every movie they've turned out has been a winner. Unlike Dreamworks, they always work from original concepts and they immerse themselves and their movies in the concepts. Be on the lookout for Click and Clack from NPR's Car Talk. There's a variety of famous race car drivers voicing characters. Cars is filled with lore about Route 66. (I am reading Grapes of Wrath and I find it interesting that both a Steinbeck novel of the Great Depression and a computer animated film about talking cars are both drawing from the significance of the Mother Road). Pay particular attention to the scene in which Sally tells Lightning how I-40 bypassed Radiator Springs to save 10 minutes of driving time. One cannot help but wonder what we have sacrificed for speed.
By the way, don't rush out of the theatre when the story ends. You always want to stay until the very end of a PIXAR film and enjoy the outtakes and final scenes, but this time you should really just slow down and not be in too much of a hurry.
Saturday, June 17, 2006
Over the Hedge is a parable of community. R. J. the racoon is a greedy loner who makes his way in the world by scavenging the snack foods that humans enjoy to excess. Vincent the bear also likes the goodies in a "pick-a-nick" basket, but he's no Yogi Bear. Vincent is more like Don Vito Corleone, and when R. J.'s heist of Vincent's stash goes wrong Vincent demands repayment or else R. J. becomes tasty treat himself.
R. J.'s pressure to repay the impossible debt sets the story. What follows is a multi-layered homily on community. On one layer, R. J. finds the source of easy comestibles in the El Rancho Camelot suburbs, which are just over the hedge from the forest. El Rancho Camelot and Gladys Sharp, the homeowner's association president, serve as a thought-provoking commentary on American consumerism. Do we really build our houses that big? Do we really consume that much junk? The movie doesn't preach, but one cannot fail to get the point as our over-indulgent lifestyles are not only seen from the perspective of the wee creatures, but also reflected in their anthropomorphic antics.
And that's yet another layer of this film. R. J. meets up with a group of friendly forest dwellers made up of a turtle, a skunk, a squirrel, two opossums, and a porcupine family. The odd assortment of beasts live together in utopian harmony as a commune community. They gather just what is needed until R. J. changes that by introducing the forest family to the possibilities of treasures over the hedge. Of course we know that R. J. is exploiting the others to gather what he needs to pay off Vincent. As would be expected, R. J. falls in love with the funny animals and finds community.
Which peels off yet another layer of this film: R. J. is revealed as a fraud but he repents by rescuing the others from the evil Verminator. In turn, the forest community rescues R. J. from the clutches of Vincent. How does a community reconcile with a betrayer? How do they restore R. J. to their community when they know he has lied to them? I realize that the movie simplifies such issues (hey, they only have 90 minutes) but I respect that the movie didn't make the reconciliation too simple. In a style that would make old Aesop proud, the animals demonstrate how community depends on forgiveness, reconciliation, and redemption. The challenge of both the offended community to forgive and the offender to repent are told beautifully.
I consider this movie to be Dreamworks' best effort to date. I applaud them for sharing their parable. Those 90 minutes were well spent and I stepped out of the theatre with an even greater appreciation and love for my family and my community of faith.